Daina and the Tribe Daina Shukis | jazzrockndance music video | Press & Review
New York, NY (Top40 Charts/ Jazz Network Worldwide) Daina Shukis is an international entertainment veteran whose relationships with musical masterminds throughout her career has resulted in some classic live recordings from some of the most noted venues in New York City ie. the Bottom Line and CBGB’s. The trilogy of music being shared are Daina and the Tribe LIVE at “Soundscape with Jeremy Steig and CBGB’s power trio, Daina and the Tribe “On a Jungle Boat Ride” and “Mystic Rendezvous” instrumental.” Clear vocal tones over textures of complex rhythms, finger cymbals add an ancient world ethnic flavor to some songs. Dania is known for composing her own musical and vocal accompaniment for her choreography and since dancing was an integral part of her shows, space to develop improvisational climax was part of the musical structure.
Daina’s career has spanned the gamet from singing to dancing and acting, receiving a Bachelor of Fine Arts Degree in Dance/Drama from New York University. Her songs range from a sensuous jazz/pop style to blues and rock. Her brilliant originals had the stellar accompaniment of Jeremy Steig-flute, Leni Stern-guitar, Dan Wall and Tom Coppolla-keyboards, Marvin Horne-guitar, Jerome Harris-bass, Akira Tana-drums, Fernando Saunders-bass, Jimmy Madison-drums, Ray Mantilla and Don Alias percussion, Joe Chambers and Fred Alias-drums, Paul Ramsey-bass, Lee Finklestien, Butch Cambell, Aubrey Dale, Sam Brown and John Saegert-guitar, Gene Perla-bass, Greg Carter-back up vocals and drums. “Cruise Control”, “Cocoon“, “Cruel World” and “Voodoo Queen” are co-authored with Jeremy Steig. These friendships lasted many years and their support of her music and dancing career resulted in the albums and videos she extracted from her vault of memorable performances.
“I am so excited to bring these vintage audio recordings of my band“Daina and the Tribe” to the world community via the Jazz Network Worldwide and this new press release of my latest three albums. Living on the lower east side of Manhattan at the birth of the new wave pop art culture I experienced the creative force of this time period. A blast from the past into the future,” says Daina.
“Here is a cool song with a soul, it makes me feel like I am listening to a Indian mix with a touch of African, very mysterious beats and the amazing touches of bells and drums. This is a very special song, that you want to listen when you are trying to get some creativity or inspiration to make something. The theatrical voice of the singer is very special and mystical, she is passionate and have very good vibrations and tones that make you vibrate and relax. It sounds like a religious song that will bless you and inspire you to rebirth and travel into heaven.” (Review from Reverbnation)
“I remember these famous venues in New York in the 70’s where Daina’s music was performed. I can almost picture the audience in my mind closing their eyes and letting Daina and the Tribe take them on a inspirational journey,” says Jaijai Jackson of The Jazz Network Worldwide.
An interesting departure from the standard presentation of serious music in club settings was the surprise entrance of dancer Daina Shukys toward the end of the set. Exuding sensuality, the dynamic Ms. Shukys, finger cymbals aloft, meshed beautifully with the ever-expanding spirals of musical agitation
This song “Sacrifice” is an audio recording from a LIVE performance at the famous Disco “Magique” NYC, featuring Daina Shukis lead vocals and finger cymbals, Carolyn Coppolla-vocals, Jeremy Steig-flute, Tom Coppolla-keyboards, Don Tipton-guitar, Chip Jackson-bass, Kamal Zabir-drums. The picture of the dark haired woman singing in the insert is Carolyn Coppolla at a different concert. The song depicts an ancient ritual of human sacrifice and the high priests as profiteers.
“December 31, 2013 crowd review of “The First Time I Saw You Baby – Reverbnation “the sound of the music seems to sneak up on you. the beat and the compelling music is very full. the tune at hande here is crafty and together, a well blended instrumental arrangement. this singer has creativity in here voice, she playus the words to this song. has a very attractive a personable voice. makes her performance very strong, shows a talented and gifted touch in this song.””
“It sounds wonderful. .. has an acoustic melody technique and the accent was detailed; I appreciate how the rhythm and tempo bounce. It expands freely. This was delicious and thick with a wondrously stellar structure. The exceptionally raucous undercurrent design used by this song was creative and the beat sounds well flavored. (review of Love Potion, Wild Herb and Perfumed Smoke)”